African American Female Poet
Writing poetry is less daunting when students can analyze a model. Within this lesson, students first listen to a read-aloud of Flicker Flash by Joan Bransfield Graham in order to comprehend the idea of shape poems. Students make use of the interactive Shape Poems tool to create their particular poems, then make use of a peer to analyze their utilization of sensory language. Finally, students print and share their shape poems.
St. Louis Authors
Another early precursor from Herbert is "Easter Wings", in which the overall typography with the poem is in the form of its subject. Alice's Adventures in Wonderland by Lewis Carroll has a similar effect as the mouse's "Tale", that is in the shape of a tail. In the early Last century, artists and poets comprising the Futurism movement used concrete poetry as a dynamic expression of these anarchistic philosophies. F. T. Marinetti was one of the most prolific poet among them, and created several works that destroyed all typographic conventions. More modern poets sometimes cited as influences by concrete poets include Guillaume Apollinaire, E. E. Cummings, for his various typographical innovations, and Ezra Pound, for his use of Chinese ideograms, along with various dadaists. Concrete poetry, however, can be a more self-conscious form as opposed to runners predecessors, using typography in part to comment on the fundamental instability of language. Among the better known concrete poets in the English language are Ian Hamilton Finlay, Dom Sylvester Hou?dard and Edwin Morgan. A well-known concrete poets are Andr?s Pet?cz within the Hungarian language and Joan Brossa within the Catalan language. Several important concrete poets are also significant sound poets, one of them Henri Chopin, Ernst Jandl, and Bob Cobbing.
St. Louis Authors
Another precursor to concrete poetry is Micrography, a procedure for creating visual images by Hebrew-speaking artists who create pictures using tiny arrangements of Biblical texts organized usually in some recoverable format in images which illustrate the text used. As noted inside the entry, micrography permits the advance of images of natural objects by observant Jews without directly smashing the prohibition of creating "graven images" that could be interpreted as idolatry. The process has become utilized by both religious and secular artists and reportedly is also used by Arabic writer-artists.
Anna Katharina Schaffner Kim Knowles, Ulrich Weger and I are currently running a number of experiments testing how people perceive concrete poems by measuring their eye-movements and modes and patterns of attention at the University of Kent. We investigated whether our participants read or scan these works, whether or not they look at space or compress it. We would have liked to find out what code dominates, if the verbal or the visual code attracts attention first, and how space is really 'read'.
A shape poem gets its name from its shape. Of course, all written poems have shape, but some make use of the shape to reinforce or emphasize the meaning. For instance, a poem could be shaped like its subject-- a seal or even a skateboard.
Other poems are almost all shape, using words as fill or as paint strokes. They are called concrete poems.
St. Louis Authors
Another early precursor from Herbert is "Easter Wings", in which the overall typography with the poem is in the form of its subject. Alice's Adventures in Wonderland by Lewis Carroll has a similar effect as the mouse's "Tale", that is in the shape of a tail. In the early Last century, artists and poets comprising the Futurism movement used concrete poetry as a dynamic expression of these anarchistic philosophies. F. T. Marinetti was one of the most prolific poet among them, and created several works that destroyed all typographic conventions. More modern poets sometimes cited as influences by concrete poets include Guillaume Apollinaire, E. E. Cummings, for his various typographical innovations, and Ezra Pound, for his use of Chinese ideograms, along with various dadaists. Concrete poetry, however, can be a more self-conscious form as opposed to runners predecessors, using typography in part to comment on the fundamental instability of language. Among the better known concrete poets in the English language are Ian Hamilton Finlay, Dom Sylvester Hou?dard and Edwin Morgan. A well-known concrete poets are Andr?s Pet?cz within the Hungarian language and Joan Brossa within the Catalan language. Several important concrete poets are also significant sound poets, one of them Henri Chopin, Ernst Jandl, and Bob Cobbing.
St. Louis Authors
Another precursor to concrete poetry is Micrography, a procedure for creating visual images by Hebrew-speaking artists who create pictures using tiny arrangements of Biblical texts organized usually in some recoverable format in images which illustrate the text used. As noted inside the entry, micrography permits the advance of images of natural objects by observant Jews without directly smashing the prohibition of creating "graven images" that could be interpreted as idolatry. The process has become utilized by both religious and secular artists and reportedly is also used by Arabic writer-artists.
Anna Katharina Schaffner Kim Knowles, Ulrich Weger and I are currently running a number of experiments testing how people perceive concrete poems by measuring their eye-movements and modes and patterns of attention at the University of Kent. We investigated whether our participants read or scan these works, whether or not they look at space or compress it. We would have liked to find out what code dominates, if the verbal or the visual code attracts attention first, and how space is really 'read'.
A shape poem gets its name from its shape. Of course, all written poems have shape, but some make use of the shape to reinforce or emphasize the meaning. For instance, a poem could be shaped like its subject-- a seal or even a skateboard.
Other poems are almost all shape, using words as fill or as paint strokes. They are called concrete poems.